Wednesday, August 10, 2011
Forgiveness
Tuesday, August 9, 2011
Singing at the Top of My Lungs
As long as we live, there is never enough singing. ~Martin Luther
Sunday, August 7, 2011
My bass guitar: a monologue
"Whatever the situation or level you're playing at, my feeling is you've got to be a strong player. Bass is a strong instrument; you can't allow yourself to play it weakly, with no authority. You've got to play with an attitude, because everybody's listening to the bass - and I dare anyone to challenge me on that..."
- Chuck Rainey
"The best grooves have conversations going on, like little subtleties that kick them up to the next level and add excitment. Simplicity is what make you tap into that, because when you leave space, you listen... When you hear what everyone else is doing you can answer them."
- Chris Wood
I started playing bass in January of 2010. Some people I worked with were jamming, trying to get some songs together, making a band--they were two guitarists and a drummer and they were looking for a bass player. One of them approached me at a mixer at work. I was new to the job. Of course, I always wanted to be in a band, I sang a little, I played piano as a kid, but it never occurred to me to play bass. So, this guy comes up to me and asks could I play bass and I said, "I play a little piano," and he said, "You can play bass." So I said, "I can play bass." I didn't have a bass and I didn't have money for a bass, but I went and bought one and watched a lesson on Youtube. I didn't want to go to my first band practice and not know how to hold the thing, not know which fingers to play the instrument with. This bass guitar for me became quickly like one of those lovers who you wonder where he's been all your life. And like a lover, it was--and is--frustrating, too. Like, the kind of frustrating you want to kill yourself over. Because here I am playing with these three guys who all have their personalities and longstanding history with their instruments. And I'm just sitting there trying to get the root note moved to the next root note in time. And we aren't playing fast and furious songs or anything. I'm just getting a feel. And then it's a big day when I figure out I can play thirds and fifths, and then when I learn my slides--forget about it. I'm gone. There's nobody loved the bass more than me, but it's a love/hate thing because I'm 42 years old when I pick up the bass for the first time and I love it almost too much and get so frustrated that I can't be that good that fast, that I go into resistance about the whole thing. Plus, when I started the bass, I wasn't even that good at hearing bass lines when I listened to songs on the radio or CD's. It's not like I've been listening to bass lines my whole life, so I'm playing bass totally green, which is not an altogether bad thing, because I'm not trying to sound like anyone else, and I play with a solid drummer, so at first I don't have to worry about keeping rhythm myself, because he's driving, so I just have to stay with him, and one of the guitarists has sort of built in his own bass parts on his guitar, so I'm just like this little chirping bird or something; I might as well be the percussion girl shaking the egg or something, and then, I start wanting more. I start wanting to have a voice in the band, with my bass, but they'd started without me, and it was hard to find a way in there. It was like trying to breathe underwater. So, there were all these things that happened. I'm not sure which was the real factor that split up the band because in typical band fashion there were all these below-the-surface tensions that were covered up by above-the-surface tensions, but despite all that, I really miss playing the songs. So now I'm sitting here, having to face the fact that I really love the bass guitar, and that any kind of love affair takes a lot of patience and you have to show up for the boring parts, the scales and arpeggio work, but then, if I just keep gathering a day and another day of the groundwork, maybe I'll be this really cool sixty year old chick bass player in fifteen years, but like anything I love, I'm also scared of totally going for it, scared it's going to break my heart, scared I'll never live up to my end of the relationship. I feel the bass is so awesome and even though I don't care about being one of those crazy solo bassists, that I have a strong vision of a very spare approach to the bass, one that relies on space and silence and simplicity, I'm just afraid I'm always going to be letting the instrument and myself down, so I'm thinking that my bass guitar and I need to have a formal wedding ceremony, one with witnesses and everything, and we'll ask for presents as well, and you'll all have to sign the ketubah to make sure that we get the support we need to keep the relationship going even when I feel like I want to jump ship.
Saturday, August 6, 2011
Carousels and Cotton Candy
And the seasons, they go round and round,/ And the painted ponies go up and down./ We're captive on the carousel of time
Thursday, August 4, 2011
Hope
Wednesday, August 3, 2011
Crying
Are the best for kissing.
~Dorothy Parker
Monday, August 1, 2011
Getting Out of Bed
I don't want to discount how much I've been saying yes to getting out of bed every day when many days I have an urge to hide under the covers. This heartbreak go-around, I've broken a pretty consistent, lifelong habit, which is to go under when I face big disappointment. I started doing that when I was a kid and teachers didn't respond well to my best efforts from time to time, or tried to 'fix' my creative works, make them more in alignment with the assignments. . .
For some reason, I've been compelled to get up out of bed every morning for the past month and face the day. It hasn't been difficult, the habit of rising and shining seems to have been put into me over the past few years. Admittedly, there were days when I was distracted, and less than stellar company, but today, fighting my exhaustion, a poor night's sleep, I climbed out from under my bedding this morning, to climb the mountain and go visit my brother who lives up near Yosemite. I drove a winding dirt road to meet his delightful new house, studded with stone work with small surprises of crystal and heart-shaped rocks, a stone-lined dipping pool, goats and chickens, breakfast made from freshly laid eggs, homemade espresso and steamed milk, and a leisurely time talking and catching up with my brother, who'd once been my best friend and who, because I grew selfish and withdrew, I'd grown a bit distant from over the years.
Though I didn't want to leave the property, he wanted to take his new inflatable raft out on the Merced River and float through Yosemite Valley, though we didn't know if the late July thunder clouds overhead would spoil our efforts.
When we arrived to the gate of Yosemite, we found the entry swift, surprising for a weekend in the summer. Then, like a little bit of magic, the clouds cleared, but too late for the raft-rental company, who'd pulled their seemingly 500 boats and left the river to only, it seemed, us!
We talked more and more and floated and rowed, and I lifted my eyes with eye to the face of Half Dome, which my brother just climbed with ropes and stakes, and El Capitan, one he'd climbed before. He showed me a smaller (few hundred foot) climb which he said he could take me on. And now that I've jumped out of an airplane, and don't seem to be afraid of heights (as long as I'm in good hands), I'm ready to climb--wherever my brother will take me.
Today is a gift I find I cannot yet--even at this late hour--give up.
"Each day is a little life: every waking and rising a little birth, every fresh morning a little youth, every going to rest and sleep a little death."
Arthur Schopenhauer